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== Position of Mi’raj in Literature and Art == | == Position of Mi’raj in Literature and Art == | ||
Since the time of Al Jalayir, Mi’raj of the Prophet (s) | Since the time of Al Jalayir, Mi’raj of the [[Prophet (s)]] has been among the most dominating themes for Iranian painting. There are pictures available from this period about the Prophet’s (s) Mi’raj the oldest one of which is made by Ahmad Musa, one of the famous painters of this period. Pictures of the Prophet’s (s) Mi’raj reached their pinnacle of illustration in the next period of painting in Iran which was the school of Harat. Many books have been found from this period especially at the time of Shahrokh which have pictured the Prophet’s (s) Mi’raj. One of these books is Mir Haydar’s Mi’raj Nama in Uyghur language which has depicted different moments of Prophet’s (s) Mi’raj. In a picture, Shah Muzaffar Siyah Qalam has depicted the Prophet (s) at the time of Mi’raj riding the human faced [[Buraq]] which is accompanied by [[Gabriel]]. | ||
Nizami’s Khamses are among the most important books which have depicted pictures from the Prophet’s (s) Mi’raj at the time of Timurids and periods contemporary with them. | Nizami’s Khamses are among the most important books which have depicted pictures from the Prophet’s (s) Mi’raj at the time of Timurids and periods contemporary with them. | ||
=== Mi’raj Painted by Sultan Muhammad === | === Mi’raj Painted by Sultan Muhammad === | ||
One of the most famous works of painting at the time of Safavids is a Khamse of Nizami belonging to the time of Shah Tahmasb which is a | One of the most famous works of painting at the time of Safavids is a Khamse of Nizami belonging to the time of [[Shah Tahmasb]] which is a drawing of the famous scene of the Prophet’s (s) Mi’raj painted by Sultan Muhammad. This work, together with three other works attributed to him, are placed in the illuminated manuscript of [[Nizami’s Khamsa]] ordered by Shah Tahmasb Safavi and its painting and calligraphy have been made between 942/1535 and 947/1540 . Its calligrapher has been Shah Mahmud Nayshaburi, the famous calligrapher of 10th century AH. In this work, the picture of the Prophet (s) whose face has been covered with a white mask is depicted riding Buraq among the great crowd of angelic creatures with 15 angels and Gabriel is guiding him flying ahead of Buraq. | ||
=== Farshchian’s Mi’raj === | === Farshchian’s Mi’raj === | ||
This work is painted in the size of 101 * 81.5 cm. Beside the picture of the Prophet (s), angels are in state of supplication. In this painting which depicts the night of Mi’raj, a | This work is painted in the size of 101 * 81.5 cm. Beside the picture of the Prophet (s), angels are in state of supplication. In this painting which depicts the night of Mi’raj, a force can be seen which draws the hand of the Prophet (s) towards God and the higher we look, the more angels fade in the [[Divine Essence of God]]. | ||
=== Other Works === | === Other Works === | ||
* Mi’raj of the Prophet (s) made by Reza Asl Najafi | * Mi’raj of the Prophet (s) made by Reza Asl Najafi | ||
* Mi’raj Namas and paintings about Mi’raj, especially the painting of the Mi’raj of the Prophet (s) kept in Malek library and national museum belonging to Astan Quds Razavi with the record number of 5995. | * Mi’raj Namas and paintings about Mi’raj, especially the painting of the Mi’raj of the Prophet (s) kept in Malek library and national museum belonging to [[Astan Quds Razavi]] with the record number of 5995. | ||
[[fa:معراج]] | [[fa:معراج]] | ||
[[ar:لإسراء والمعراج]] | [[ar:لإسراء والمعراج]] | ||
[[id:Isra' dan Mi'raj]] | [[id:Isra' dan Mi'raj]] | ||